2. What are three kinds
of actors he suggests?
3. Why do the critics of
early twentieth century put emphasis on mask?
4. What are the views of
Vsevolod Meyerhold? What was his aim at creating a “new drama”? How do his
ideas change in time?
5. What were Lukács’
concerns in bringing drama to the working class?
6. What are the premises
of Italian futurist drama?
7. What are the effects
of WW1 on the theories of drama?
8. What is the effect of
WWII on the European experimental drama? Please explain in detail.
9. What are the
differences between dramatic theater and epic theatre?
10. What is alienation
effect and what is its significance?
11. Why is it almost
impossible to form only one definition of drama according to Martin Esslin?
12. How does the nature of
drama differ from other genres?
13. What is the
significance of suspense in dramatic structure? How should the chain of
suspense be formed?
14. Give a brief
historical background of American “serious” drama.
15. Explain the following
terms: tragedy, melodrama, social drama, modernism.
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