1. How does Jean Paul Sartre define the bourgeois theatre and in what ways does he
criticize it?
2. What is the Theatre of the Absurd and how does it
differ from the Existentialist Theatre according to Esslin?
3. Compare and contrast dramatic theatre and epic
theatre; explain why Brecht priviliges epic theatre.
4. How did modernism start in the 1900s and what kind of
directions occurred in the same period?
5. What are the views of Vsevolod Meyerhold? What was his
aim at creating a “new drama”?
6. How do his ideas change in time?
7. What are the premises of Italian futurist drama?
8. What is alienation effect and what is its
significance?
9. "The past is present ,it's future too"(Long Day's Journey...) How can you interpret Nina's obsession with Gordon in "strange interlude "?
10. How does the definition of present as a "strange interlude" affect and,at the same time, result from the characters' perception of past and future ?
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